Brightest Day #21
Geoff Johns, Peter J. Tomasi (w), Patrick Gleason, Ivan Reis, Joe Prado (p), Mark Irwin, Keith Champagne, Norm Rapmund, Christian Alamy (i), Peter Steigerwald, Nathan Eyring (c). DC Comics.
Someone reminded the writers of Brightest Day that it was close to wrapping up, so they had to actually do stuff with issues. There was definitely a lot of filler here — I bet this whole series could have been distilled into an excellent 12 issues (unquestionably so if they dropped some of the weaker story arcs — like the Hawkmen story at least!). That said, it wouldn’t be Brightest Day, and it really wouldn’t be Geoff Johns, without a bunch of epic splash pages.
There are three two-page and one single-page splash images making up the high points of the story. I can just imagine an orchestra conductor swinging wildly at these moments (uh, that’s if this story was a movie I guess… uh, with an orchestrated score), and like that conductor, I’m tired!
The big splash image, when used appropriately, is the high point of the issue — it’s what makes the comic make sense, but we’re zigzagging all along here. Read the rest of this entry »