I heard an interview with Dan Slott on World Balloon today in which he said that Amazing Spider-Man #655 was the best thing he had ever written. After reading it… fair enough, this is a phenomenal book. Starting out as a tribute to a recently-departed character the book evolves to become a monument to Peter’s guilt. It works very well and gives us a great sense of the weight that Peter is always carrying inside him. There are plenty of nods to the character’s long history, but not in a way that that I felt overwhelmed (despite only having read the book for the last couple of years). At the end, though, the character comes to a decision that makes the issue feel like it was building to something, rather than just wallowing.
What puts this issue over the top, though, and what makes it one of my favourite issues of Amazing Spider-Man EVER (I’m not exaggerating) is Marcos Martin’s artwork. It perfectly captures the melancholy feel of the story while at the same time feeling lush and beautiful. The opening sequence shows how even a place as familiar as one’s home can suddenly feel sad and lonely after the loss of a loved one. In fact, the sequence reminds me quite a lot of Chris Ware’s work, another artist that can bring out the sadness of everyday rooms. There’s one double-page spread that I expect is going to get most of the attention from this issue, and with good reason. You’ll know it when you see it, since it’s jaw-dropping. I keep turning back to look at it again and again. Read the rest of this entry »