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Archive for the ‘Sara Starkman’ Category

John Mayer / Michael Franti & Spearhead in Toronto

Posted by MUSIC_Jake On February - 24 - 2010

John Mayer with Michael Franti & Spearhead
At Toronto’s Air Canada Centre,
February 14, 2010

By Sara Starkman

This Valentine’s Day, I got to spend the evening with the two men I love the most: my father, and the very talented, very sexy, John Mayer. Enraptured by the buzz of Toronto’s jam-packed Air Canada Centre, the energy was almost tangible.

Opening band Michael Franti & Spearhead had the entire stadium on their feet as Michael Franti, with guitar and a microphone, made his way through the crowd and personally serenaded audience members along the way. This hip-hop meets funk meets reggae band has been together for ten years, and has just recently cracked the Billboard Top 40. Although it has seemingly been a long and arduous journey for this talented group, rest assured that they will be selling out arenas with countless fans of their own in no time.

The energetic performance of Franti & Spearhead left a magical atmosphere in the arena, and as Mayer walked on stage and asked the audience at large to be his valentine, the magic only grew.

Photo credit: Phil Carpenter / Montreal Gazette

Dressed in a white collared shirt, converse sneakers, and a red tartan plaid vest, Mayer resembled a Palm Spring’s resident on his way to shuffleboard. Old and slow, however, are the last two words to describe John Mayer. Accompanied by a group of worthy musicians, Mayer and company played a selection of songs both old and new. The group also decided to have some fun and perform covers of timeless pieces like McCartney’s “Maybe I’m Amazed” and “Real Love” by Mary J. Blige. Both songs had every audience member on their feet, in awe of the passion, soul, and flawlessness that came with Mayer’s personal spin of these great songs. His artbitrary outburst of rap improvisation also solidified his quick wit and lyrical aptitude.

Brilliant lyrics and audience rapport aside, Mayer’s musicianship was jaw-dropping. A modern-day Hendrix stood before us on stage, and played with his heart and soul for two and a half hours. He repeatedly paid gracious dues to his talented accompaniment, insisting the sincere honor he felt standing next to each and every musician and vocalist on stage. Needless to say, my date didn’t disappoint, and Valentine’s Day was a huge success.

Patrick Watson’s The Wooden Arms reviewed

Posted by MUSIC_Jake On January - 10 - 2010

Patrick Watson & The Wooden Arms
The Wooden Arms

Secret City Records, 2009

By Sara Starkman

Patrick Watson and The Wooden Arms’ self titled album, The Wooden Arms, debuted in 2009. The Montreal based group consists of four highly skilled musicians who composed a collection of songs that can be described as none other than chilling. The overtone of the CD is ominous yet whimsical, and could, perhaps, make a great soundtrack for a Tim Burton movie. Listening to the album with my eyes closed feels much like Alice’s journey down the rabbit hole: fascinating yet arbitrary. At times I felt run off course: the tranquil sounds of harpsichord would often be sharply interrupted by abrupt, offbeat percussion. There is merit to this polarized tone: it steps outside of the box and causes you to rethink the journey you originally thought to have been on. Read the rest of this entry »

The Little Black Dress at the Rivoli

Posted by MUSIC_Jake On January - 10 - 2010

The Little Black Dress live at the Rivoli

By Sara Starkman

A little black dress is every girl’s “must have,” up-to-date item positioned at the front of her closet. It can be dressed up or dressed down, but regardless, it’s a timeless piece, never forgotten. And no matter what, you know it will always look just so damn good. It’s no surprise then, that the band The Little Black Dress chose this to be their name. Opening for another Toronto-based band at Queen Street’s well-known hotspot, the Rivoli, The Little Black Dress stole my ears for an hour in time.

I came in mildly skeptical, as I am of most new bands. Call me a music snob, or a skeptic at large, but regardless, any cynicism I had towards this new band was washed away within minutes. Surrounded by sweater vests, scruffy beards, and studded belts, the crowd had a very upbeat, granola, hipster vibe to it. The warmth that emanated from the venue floated just above the heads of the musicians and audience, who knew almost all of the words to every song played. At first, I was shocked at how large of a following there was. However, it became progressively clearer, as did the amount of talent that The Little Black Dress encompasses. Dan Sadowski, the band’s lead singer, announced at the beginning of the concert that he was feeling somewhat ill, as he proceeded to guzzle a bottle of honey. Even under the weather, though, his voice remained strong: neither guttural, nor nasal, Dan’s voice was audibly delicious, reminding me a lot of Bradley Nowell of Sublime. The songs themselves sounded like a cross between Sublime and Maroon 5. Read the rest of this entry »

Matt Nathanson at the Mod Club

Posted by MUSIC_Jake On August - 18 - 2009

mattBy Sara Starkman

Matt Nathanson is a name that hovers just below the radar of popular music. You may recall his provocative song “Laid,” which was featured on the soundtrack of the classic 2003 comedy, American Wedding. But it’s probably his latest hit, “Come on Get Higher,” that you’re most familiar with. His new album, entitled Some Mad Hope, was three-and-a-half years in the making, and he’s finally back on the road for a North American tour, letting everyone know that he is here to stay.

Nathanson touched down on August 11th at Toronto’s Mod Club, crowded with die-hard fans, and Nathanson — alongside his bandmates — put on an energy-packed performance with enough musical conviction to fill an entire stadium. Read the rest of this entry »

Maxwell’s BLACKsummers’night Reviewed

Posted by MUSIC_Jake On August - 12 - 2009

maxwell-blacksummers-nightMaxwell
BLACKsummers’night
Columbia Records, 2009

By Sara Starkman

Perhaps I shouldn’t have had a certain expectation before hearing soul singer Maxwell’s newest album, BLACKsummers’night, but it seems to come with the territory of an artist’s first new album in EIGHT YEARS. So I got into my car and cranked the stereo, hoping for Maxwell’s sexy voice and urban beats to surge through my speakers and trickle into my bloodstream, forcing my heart to pump just a little bit faster.

Unfortunately, this was not the case. Although the album is definitely one I’ll reserve for the lovemaking shelf, it didn’t encompass the necessary spark or pizazz for an album intent on Read the rest of this entry »

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