By Miles Baker
Like most things, I learned about Screen & Racket on Facebook. But, unlike most events on Facebook, I was actually interested in this one. The show is billed as a showcase for four original short films with live performances of accompanying musical scores. It will premiere brand new works from emerging filmmakers Pouyan Jafarizadeh (previous works screened at the Images Festival, TIFF Student Showcase, and Calgary Independent Film Festival), Doug Nayler, Brodie Spaull, and Lesley Chan (previous works screened at Pleasure Dome, the Images Festival, Alucine Toronto Latin Media Festival, as well being featured as a Canadian Spotlight at the 2008 Toronto Reel Asian International Film Festival) with dancer Laura Kappel. Each filmmaker worked in close collaboration with a group of musicians, respectively: Alex Unger, The Weather Station, Destroy All Humans, and EXERCISERS. I sat down with Doug Nayler (who longtime MONDOreaders will know as our former film editor and as an awesome writer) via the Facebook chat to talk about the show.
MONDO: So, to kick things off, tell me about what we’ll be seeing on Friday.
Doug Nayler: Well, we’ll be seeing four original short film collaborations, projected onto a screen with the scores performed live. Each film was produced by a different team consisting of filmmakers and musicians, and everything is completely new and original for this event.
MONDO: How did these collaborations start?
DN: Well, we started with the idea of the event and then began recruiting whoever was interested. Generally the filmmakers involved sought out musicians it would be interesting to Read the rest of this entry »






(500) Days of Summer
By Rachel West, Caesar Martini, Sean Kelly, and Leo K. Moncel
Moon
Before I break this film down, I am going to go straight to the point. Transformers is in no way perfect. I will admit that even the first film had a better developed story. In addition, Revenge’s two-and-and-half-hour running time had me fighting my bladder towards the end. However, I believe the film succeeded in its goal to be an entertaining summer action film. Critical consensus be damned, the only opinion on films that truly matters to me is my own.
Reading the recent review for The Cell 2 got me thinking about the industry of making low-budget sequels to (semi-)popular films and releasing them straight to video (or DVD as now is the case). It is pretty obvious that the whole purpose of these films is to leech more profit out of the success of their predecessors, without having to bother with the costs of releasing such a film in theatres.