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<channel>
	<title>MONDOmagazine &#187; Film Hidden Gems</title>
	<atom:link href="http://mondomagazine.net/category/1sections/film/film-hidden-gems/feed/" rel="self" type="application/rss+xml" />
	<link>http://mondomagazine.net</link>
	<description>We're not geeks!</description>
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			<item>
		<title>Hidden Gems: Kenneth Branagh&#8217;s Hamlet</title>
		<link>http://mondomagazine.net/2010/hidden-gems-kenneth-branaghs-hamlet/</link>
		<comments>http://mondomagazine.net/2010/hidden-gems-kenneth-branaghs-hamlet/#comments</comments>
		<pubDate>Tue, 07 Sep 2010 12:38:05 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Features]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Sean Kelly]]></category>
		<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Ethan Hawke]]></category>
		<category><![CDATA[Franco Zeffirelli]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Judi Dench]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>
		<category><![CDATA[Mel Gibson]]></category>
		<category><![CDATA[Richard Attenborough]]></category>
		<category><![CDATA[Robin Williams]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=10580</guid>
		<description><![CDATA[Hamlet
Directed by Kenneth Branagh
Castle Rock Entertainment, 1996
Hamlet is probably William Shakespeare&#8217;s most revered play and has been the basis for the most film adaptations of all his work.  This version, directed by Kenneth Branagh, is one of three such film adaptations to be released in my lifetime, the other two being the 1990 Franco [...]]]></description>
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		</item>
		<item>
		<title>Julie &amp; Julia Reviewed</title>
		<link>http://mondomagazine.net/2009/julie-julia-reviewed/</link>
		<comments>http://mondomagazine.net/2009/julie-julia-reviewed/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 15:12:00 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Brian Last]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Amy Adams]]></category>
		<category><![CDATA[Chris Menssia]]></category>
		<category><![CDATA[Cookbook]]></category>
		<category><![CDATA[Cooking]]></category>
		<category><![CDATA[Cuisine]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[French Cuisine]]></category>
		<category><![CDATA[Julia Child]]></category>
		<category><![CDATA[Julie & Julia]]></category>
		<category><![CDATA[Julie Powell]]></category>
		<category><![CDATA[Le Cordon Bleu]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Nora Ephron]]></category>
		<category><![CDATA[paris]]></category>
		<category><![CDATA[Sideways]]></category>
		<category><![CDATA[Stanley Tucci]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=7015</guid>
		<description><![CDATA[Julie &#38; Julia
Directed by Nora Ephron
Columbia Pictures, 2009
By Brian Last
Often in television, films, and real life, people bond through food. If not through cooking together and realizing you are in love with this person who is cramming sauce down your throat, it&#8217;s over a nice meal with friends or family. Food definitely brings people together, [...]]]></description>
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		</item>
		<item>
		<title>Hidden Gems: Interim</title>
		<link>http://mondomagazine.net/2008/hidden-gems-interim/</link>
		<comments>http://mondomagazine.net/2008/hidden-gems-interim/#comments</comments>
		<pubDate>Fri, 27 Jun 2008 04:00:02 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Jaclyn L. Katz]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[art film]]></category>
		<category><![CDATA[brakhage]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[film shorts]]></category>
		<category><![CDATA[gun film]]></category>
		<category><![CDATA[interim]]></category>
		<category><![CDATA[photographs]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[stan brakhage]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=1252</guid>
		<description><![CDATA[Oh to Be Young: Thoughts On <em>Interim</em><img class="alignnone size-thumbnail wp-image-1255 alignright" style="float: right;" title="Brakhage" src="http://mondomagazine.net/wp-content/uploads/2008/06/184_box_348x490-106x150.jpg" alt="" width="106" height="150" />

by Jaclyn L. Katz

Stan Brakhage speaks a bold dialect of film language in his directorial debut, Interim (1952).  The experimental yet romantic narrative is expressed without a word of spoken dialogue between the two main characters, a nameless teenage boy and girl. In lieu of a traditional script, the filmmaker chooses to convey his ideas on adolescent emotion through camera movement, editing, sound, and softly expressive acting. Like the film’s title - which means ‘temporary’ or ‘in between’ - the film is short and bittersweet for both the viewer and the inhabitants of the on-screen world.  The quality of the film is shy and understated, its naivety making it a charming piece, void of pretension. It oozes realism as a result of its simple form and authentic nature.]]></description>
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		</item>
		<item>
		<title>Tales of Earthsea Hidden Gem&#8217;d. Kinda</title>
		<link>http://mondomagazine.net/2008/tales-of-earthsea-hidden-gemd-kinda/</link>
		<comments>http://mondomagazine.net/2008/tales-of-earthsea-hidden-gemd-kinda/#comments</comments>
		<pubDate>Tue, 24 Jun 2008 04:00:41 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Rachel Kahn]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[Earthsea Trilogy]]></category>
		<category><![CDATA[Gandalf]]></category>
		<category><![CDATA[Goro Miyazaki]]></category>
		<category><![CDATA[Hayao Miyazaki]]></category>
		<category><![CDATA[My Neighbour Totoro]]></category>
		<category><![CDATA[Princess Mononoke]]></category>
		<category><![CDATA[Studio Ghibli]]></category>
		<category><![CDATA[Tales of Earthsea]]></category>
		<category><![CDATA[wizards]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=1238</guid>
		<description><![CDATA[<strong>Tales of Earthsea<img class="alignnone size-full wp-image-1239 alignright" style="float: right;" title="Dragon gunna eat that stupid kid up." src="http://mondomagazine.net/wp-content/uploads/2008/06/gedo6sn.jpg" alt="" width="280" height="396" /></strong>
Directed By Goro Miyazaki 
Studio Ghibli, 2006

It's amazing that Hayao Miyazaki's son somehow acquired rights to Ursula K. Leguin's <em>Earthsea </em>trilogy (now in five parts). I'm  not sure how this happened, since the <a href="http://en.wikipedia.org/wiki/Legend_of_Earthsea_%28TV_miniseries%29" target="_blank">last movie</a> made from it was so bad that Le Guin <a href="http://www.slate.com//id/2111107/" target="_blank">disowned it</a> entirely. Ghibli must have wooed her with the most scenic clips from <em>Princess Mononoke</em> and <em>My Neighbour Totoro</em>. 

That said, if there is one thing this movie accomplishes effortlessly, it is the pure magic of the landscape, and the character designs look like the work of someone who had at least skimmed the books, and key details that stood out to me as a reader manifest on screen. If you haven't read the books, you will find it easy to tell characters apart, if not much else about them, but you will still be confused because none of the wizards look like Gandalf.

You will also be confused by the hundreds of little references throughout the film to concepts, places, and people that are explained thoroughly in the novels but are given almost no context in the film. This is because, for some reason or another, Miyazaki has chosen to adapt the third book in the series, not the first [...]]]></description>
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		</item>
		<item>
		<title>Hidden Gems: Woody Allen</title>
		<link>http://mondomagazine.net/2008/hidden-gems-woody-allen/</link>
		<comments>http://mondomagazine.net/2008/hidden-gems-woody-allen/#comments</comments>
		<pubDate>Fri, 02 May 2008 05:00:25 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Doug Nayler]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Ian Passy]]></category>
		<category><![CDATA[Leo K. Moncel]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[Annie Hall]]></category>
		<category><![CDATA[Cheers]]></category>
		<category><![CDATA[Deconstructing Harry]]></category>
		<category><![CDATA[Diane Keaton]]></category>
		<category><![CDATA[E.G. Marshall]]></category>
		<category><![CDATA[F. Scott Fitzgerald]]></category>
		<category><![CDATA[Geraldine Page]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[Interiors]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[La Strada]]></category>
		<category><![CDATA[Manhattan]]></category>
		<category><![CDATA[Margot at the Wedding]]></category>
		<category><![CDATA[Mary Beth Hurt]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Sean Penn]]></category>
		<category><![CDATA[Sony Pictures]]></category>
		<category><![CDATA[Sweet and Lowdown]]></category>
		<category><![CDATA[The Purple Rose of Cairo]]></category>
		<category><![CDATA[the squid and the whale]]></category>
		<category><![CDATA[United Artists]]></category>
		<category><![CDATA[warner]]></category>
		<category><![CDATA[warner bros]]></category>
		<category><![CDATA[Warner Brothers]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[Zelig]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=988</guid>
		<description><![CDATA[That odd fucker sure has made a lot of movies.
By Leo K. Moncel, Doug Nayler, and Ian Passy
(Editor&#8217;s note: It has come to our attention that there has been some confusion between the work of Woody Allen and that of Woody Harrelson in the construction of this article. While this is regrettable, deadlines are deadlines, [...]]]></description>
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		<item>
		<title>Bug: A Hidden Gem</title>
		<link>http://mondomagazine.net/2008/bug-a-hidden-gem/</link>
		<comments>http://mondomagazine.net/2008/bug-a-hidden-gem/#comments</comments>
		<pubDate>Tue, 29 Jan 2008 05:00:06 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Jess Skinner]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[Ashley Judd]]></category>
		<category><![CDATA[Brian O'Byrne]]></category>
		<category><![CDATA[bug]]></category>
		<category><![CDATA[cautionary tale]]></category>
		<category><![CDATA[Harry Connick Jr.]]></category>
		<category><![CDATA[Lions Gate]]></category>
		<category><![CDATA[Lynn Collins]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[William Friedkin]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=487</guid>
		<description><![CDATA[<img src="http://mondomagazine.net/wp-content/uploads/2008/01/bug1.jpg" alt="Bug" align="right" /><strong>Bug</strong>
Directed by William Friedkin
Lions Gate, 2007

By Jess Skinner

There is no great sense of ambiguity in most horror movies. The audience, in the end, wants to see what is supposed to be frightening them, unobstructed. How many went to <em>Cloverfield </em>just to see the monster? Exactly. The monster in William Friedkin's<strong> </strong><em>Bug </em>(2007) is more concept than visible creature; it is forever under the skin of the two main characters, who claim to see an invasion of aphids but find no support among those in their immediate social perimeters.

It is a story about the abandonment of reality, of two people falling apart, seemingly of their own accord. We begin with Agnes (Ashley Judd), living in a motel room on the eve of her husband Jerry (Harry Connick Jr.) returning from jail. That night, her only friend (Lynn Collins) introduces her to Peter (Michael Shannon), a stoic drifter who claims to be seeking nothing but companionship [...]]]></description>
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		</item>
		<item>
		<title>My Holiday Favourite</title>
		<link>http://mondomagazine.net/2007/my-holiday-favourite/</link>
		<comments>http://mondomagazine.net/2007/my-holiday-favourite/#comments</comments>
		<pubDate>Wed, 26 Dec 2007 02:24:40 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Features]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Jess Skinner]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Best Of Lists]]></category>
		<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Gremlins]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=132</guid>
		<description><![CDATA[<span style="font-size: larger"><span style="font-style: italic">Gremlins </span>(1984)</span>

<span>By Jess Skinner</span>

Ponder on whatever supremely unfortunate Christmas gift you’ve received in your life, and take pleasure in the probable truth that it never tried to claw your face off. This cannot be said for Zach Galligan’s holiday, circa 1984, which resulted in nothing less than vicious monsters running amok in his once-idyllic town. This is <span style="font-style: italic"> Gremlins</span>, a movie beloved by many but analysed probably only by me. I find it one of the most curious of movies, one of those pop-culture artefacts that seem designed for nobody; in this case too grotesque for children, too cartoonish for adults. I love it for precisely this reason; it is a self-conscious middle finger to any potential mass market. But it was successful anyway, proving once again that moviegoers are sometimes smarter than I think they are[...]]]></description>
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		</item>
		<item>
		<title>Review — 3:10 to Yuma</title>
		<link>http://mondomagazine.net/2007/review-%e2%80%94-310-to-yuma/</link>
		<comments>http://mondomagazine.net/2007/review-%e2%80%94-310-to-yuma/#comments</comments>
		<pubDate>Tue, 16 Oct 2007 20:58:47 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Doug Nayler]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[3:10 to yuma]]></category>
		<category><![CDATA[christian bale]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[russle crowe]]></category>
		<category><![CDATA[walk the line]]></category>
		<category><![CDATA[western]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=82</guid>
		<description><![CDATA[<img src="http://mondomagazine.net/film/yuma.jpg" align="right" /><span style="font-size: larger; font-weight: bold">3:10 to Yuma</span>
Directed by James Mangold
Lionsgate Films 2007

<span>By Doug Nayler</span>

Johnny Cash is completely responsible for <span style="font-style: italic">3:10 to Yuma</span>. For many years, director James Mangold had been toting a script from production company to production company to remake a 1957 western based on a short story by Elmore Leonard. Nobody wanted it. "Are you crazy?" the studios said. "We're going to lose so much money on a western. Nobody goes to westerns!" And, with no contrary examples more recent than 1994, Mangold had no other option than to give up and move onto some other projects. However, one of those projects Mangold ended up doing was the Academy-Award winning Johnny Cash biopic <span style="font-style: italic">Walk the Line</span>. After that, suddenly anything Mangold wanted to do was a great idea. And those exact same studios were suddenly lining up to throw money at <span style="font-style: italic">3:10 to Yuma</span>.  So the legend goes, anyway, such is the business.

The 3:10 to Yuma is the train murder and bandit Ben Wade (Russell Crowe) is to be sent off on to Yuma prison. Following a big, flashy robbery of his twenty-somethingth stagecoach Ben decides to push his luck by[...]]]></description>
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		<item>
		<title>Hidden Gem — In the Mood for Love</title>
		<link>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-in-the-mood-for-love/</link>
		<comments>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-in-the-mood-for-love/#comments</comments>
		<pubDate>Tue, 31 Jul 2007 07:05:59 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Miles Baker]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[Maggie Cheung]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[pretty]]></category>
		<category><![CDATA[sad]]></category>
		<category><![CDATA[slow motion]]></category>
		<category><![CDATA[Tony Leung]]></category>
		<category><![CDATA[Wong Kar Wai]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=70</guid>
		<description><![CDATA[<img src="http://mondomagazine.net/film/moodforlove.jpg" align="right" /> <span style="font-size: larger"> 	<span style="font-weight: bold">Fa yeung nin ma (In the Mood for Love) </span> </span>
Directed by Wong Kar Wai
Block 2 Pictures, 2000

<span>By Miles Baker</span>

There is really only one word to describe this movie: Pretty. Sure, I could talk about how the movie is sexy and heart-felt and sad, but I'm going to go with pretty. The combination of cinematographers Christopher Doyle and Pin Bing Lee, with the production design by William Chang, with the beautiful actors, with Wong Kar Wai's guiding influence, results in a film that is so beautiful it's impossible to criticize.

Set in 1950s Hong Kong, <span style="font-style: italic">In the Mood for Love</span> is about the relationship that grows between Mrs. Chen (Maggie Cheung) and Mr. Chan (Tony Leung), neighbours who realize that their respective spouses are cheating on them. What follows is a series of conversations about marriage, slow motion walking shots, and dresses — Maggie Cheung wears about 40 different, completely beautiful dresses.]]></description>
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		<item>
		<title>Hidden Gem — Sexy Beast</title>
		<link>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-sexy-beast/</link>
		<comments>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-sexy-beast/#comments</comments>
		<pubDate>Mon, 07 May 2007 07:18:40 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Jess Skinner]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[Jonathan Glazer]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=73</guid>
		<description><![CDATA[<img src="http://mondomagazine.net/film/sexybeast.jpg" align="right" /> <span style="font-size: larger; font-weight: bold">Sexy Beast</span>
Directed by Jonathan Glazer
FilmFour, 2000

<span>By Jessie Skinner </span>

The scene most important to appreciating <span>Sexy Beast</span> involves a report from Don (Ben Kingsley) to Gal (Ray Winstone) about Teddy (Ian McShane) and his happening upon a lucrative opportunity. The event is shown in flashback, but has already been delivered to several different people beforehand. Gal is just the last in a long line. The anecdote is relayed several times over, giving the impression that those making the film must know they tread over cliches. At this point, the flashback is a somewhat banal narrative device. The joy and value of the film is that it is smart enough to walk the line between faithfulness to the crime genre and self-parody; Glazer adopts the device, but uses it with a sense of irony. The limey heist picture of old is mixed with the imagination of the modern independents; the figure of Gal's nightmares is a rabbit with a machine gun, after all.

But really his nightmare is Don Logan, a monstrous character who sweats unhappiness and agitation; spews hostility at the world[...]]]></description>
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		<item>
		<title>Hidden Gem — Laker Cake</title>
		<link>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-laker-cake/</link>
		<comments>http://mondomagazine.net/2007/hidden-gem-%e2%80%94-laker-cake/#comments</comments>
		<pubDate>Mon, 12 Mar 2007 07:15:50 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Miles Baker]]></category>
		<category><![CDATA[hidden gems]]></category>
		<category><![CDATA[Colm Meaney]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[Daniel Criag]]></category>
		<category><![CDATA[drug dealer]]></category>
		<category><![CDATA[James Bond]]></category>
		<category><![CDATA[man-crush]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=72</guid>
		<description><![CDATA[<img src="http://mondomagazine.net/film/layercake.jpg" align="right" /> <span style="font-size: larger"> 	<span style="font-weight: bold">Layer Cake</span>
Directed by Matthew Vaughn
Sony Pictures, 2004</span>

<span>By Miles Baker</span>

<span style="font-size: smaller; font-style: italic">Posted March 12th, 2007</span>

Last Tuesday I watched <span style="font-style: italic">Layer Cake</span>.  Rachel bought it for me to foster the affection induced by <span style="font-style: italic">Casino Royale</span> and the hunky-ness of Daniel Craig.   This seemed like the next logical progression in my man-crush — and it was.

<span style="font-style: italic">Layer Cake</span> follows Craig as Mr. X, the never-named drug dealer at the centre of a lot of shit.  That shit is pretty complicated — <span style="font-style: italic">Layer Cake</span> is an intricate gangster story loaded with double-crosses and secret plans, as any good crime story should be. Essentially, Mr. X is brought into a bad drug deal and now has to get out of it while keeping his head and shoulders —both literally and figuratively. It’s a solid crime story that should have most viewers engaged from beginning to end. There are twists, but not so many that you’re tired, angry, and frustrated with the story by the end.
]]></description>
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		<title>Review — The Good German</title>
		<link>http://mondomagazine.net/2007/review-%e2%80%94-the-good-german/</link>
		<comments>http://mondomagazine.net/2007/review-%e2%80%94-the-good-german/#comments</comments>
		<pubDate>Sun, 18 Feb 2007 22:00:46 +0000</pubDate>
		<dc:creator>film</dc:creator>
				<category><![CDATA[Film Hidden Gems]]></category>
		<category><![CDATA[Johanna Craig]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[cold war]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[The Good German]]></category>

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		<description><![CDATA[<img src="http://mondomagazine.net/film/german.jpg" align="right" /> <span style="font-size: larger; font-weight: bold">The Good German</span>
Directed by Steven Soderbergh
Warner Bros. Pictures, 2006

<span>By Johanna Craig</span>

There are two ways to bring a novel successfully to the screen. One method is to remain true to the novel, thus pleasing the fans of the book. Alternatively, filmmakers can go in a completely new direction in order to bring in new fans. <span style="font-style: italic">The Good German</span>, based on Joseph Kanon’s mystery novel of the same name, accomplishes neither of these goals.

Kanon’s novel is a portrait of a broken city. He portrays a place that has become a microcosm of conflict on both an individual and global scale. He grapples with the cost of survival in war, the question of accountability for the Holocaust, and the Allied powers’ imminent descent into the Cold War, by presenting the reader with characters who are struggling with each of these issues themselves. The mystery provides an intriguing storyline that gradually brings everything together and leaves the reader in a constant state of suspense. The result is an entertaining story, but more importantly, a rare perspective on the aftermath of war from the losing side[...]]]></description>
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