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	<title>MONDOmagazine &#187; Dance Review</title>
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	<link>http://mondomagazine.net</link>
	<description>We're not geeks!</description>
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		<title>Review: Denise Fujiwara and Susie Burpee</title>
		<link>http://mondomagazine.net/2010/review-denise-fujiwara-and-susie-burpee/</link>
		<comments>http://mondomagazine.net/2010/review-denise-fujiwara-and-susie-burpee/#comments</comments>
		<pubDate>Sat, 06 Mar 2010 21:07:47 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Helen Fylactou]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Christine Fellows]]></category>
		<category><![CDATA[Dan Wild]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Denise Fujiwara]]></category>
		<category><![CDATA[Enwave Theatre]]></category>
		<category><![CDATA[Harbourfront]]></category>
		<category><![CDATA[john k. samson]]></category>
		<category><![CDATA[NextSteps]]></category>
		<category><![CDATA[Susie Burpee]]></category>
		<category><![CDATA[The Weakerthans]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=9019</guid>
		<description><![CDATA[DanceWorks presents
Denise  Fujiwara and Susie Burpee
Part of Harbourfront&#8217;s NextSteps Series
Runs until March 6, 2010 @ Enwave Theatre
By Helen Fylactou
Choreographed and performed by Fujiwara, Lost &#38; Found is the story of the slow progression of a woman losing her mind. Fujiwara exclaims to the audience, “I know I have issues, but who would I be [...]]]></description>
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		</item>
		<item>
		<title>Review: confluence</title>
		<link>http://mondomagazine.net/2010/review-confluence/</link>
		<comments>http://mondomagazine.net/2010/review-confluence/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 15:29:05 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Helen Fylactou]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[armour]]></category>
		<category><![CDATA[coalesce]]></category>
		<category><![CDATA[confluence]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Doug Varone]]></category>
		<category><![CDATA[earthling]]></category>
		<category><![CDATA[Enwave Theatre]]></category>
		<category><![CDATA[Harbourfront]]></category>
		<category><![CDATA[Kate Holden]]></category>
		<category><![CDATA[Larry Hahn]]></category>
		<category><![CDATA[Lewis Thomas]]></category>
		<category><![CDATA[Next Steps]]></category>
		<category><![CDATA[Peggy Baker]]></category>
		<category><![CDATA[Peggy Baker Dance Projects]]></category>
		<category><![CDATA[Sahara Morimoto]]></category>
		<category><![CDATA[Sean Ling]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=8956</guid>
		<description><![CDATA[confluence
Presented by Peggy Baker Dance Projects 
Part of Harbourfront&#8217;s Next Steps series
Ran February 24-28 @ Enwave Theatre 
By Helen Fylactou
confluence is loosely inspired by scientist Lewis Thomas&#8217;s essay &#8220;Lives of a Cell&#8221; and Sylvia Safdie’s artwork on insects. Divided into three contemporary dance works, confluence results in a complex interconnectivity between isolation, embodiment and performance. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Pteros Tactics</title>
		<link>http://mondomagazine.net/2010/review-pteros-tactics/</link>
		<comments>http://mondomagazine.net/2010/review-pteros-tactics/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 14:01:22 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Tina Chu]]></category>
		<category><![CDATA[Anne Carson]]></category>
		<category><![CDATA[Christopher House]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Desire]]></category>
		<category><![CDATA[Fleck Dance Theatre]]></category>
		<category><![CDATA[Harbourfront Centre]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Toronto Dance Theatre]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=8865</guid>
		<description><![CDATA[ 
Toronto Dance Theatre’s Pteros Tactics
Choreographed by Christopher House 
As part of Harbourfront Centre&#8217;s NextSteps series
February 15-20 @ Fleck Dance Theatre
By Tina Chu
Departing for an essay written by Anne Carson entitled Eros the Bittersweet, Christopher House’s Pteros Tactics is an exploration of the instant of desire.
As explored in Carson’s text and House’s choreography, to desire [...]]]></description>
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		</item>
		<item>
		<title>Review: roadkill</title>
		<link>http://mondomagazine.net/2010/review-roadkill/</link>
		<comments>http://mondomagazine.net/2010/review-roadkill/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 19:36:02 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Tina Chu]]></category>
		<category><![CDATA[Australia]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Enwave Theatre]]></category>
		<category><![CDATA[Gabrielle Nankivell]]></category>
		<category><![CDATA[Gavin Webber]]></category>
		<category><![CDATA[Grayson Millwood]]></category>
		<category><![CDATA[Harbourfront Centre]]></category>
		<category><![CDATA[Luke Smiles]]></category>
		<category><![CDATA[Mark Howett]]></category>
		<category><![CDATA[roadkill]]></category>
		<category><![CDATA[Sarah-Jayne Howard]]></category>
		<category><![CDATA[Splintergroup]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=8755</guid>
		<description><![CDATA[roadkill
Part of Harbourfront Centre’s World Stage
Choreographed by Gavin Webber, Grayson Millwood and Sarah-Jayne Howard
February 3–6 @ Enwave Theatre 
By Tina Chu
Even without understanding  its exploration of agoraphobia and paranoia, I would have felt the same  weighted anticipation as the lights dimmed for Splintergroup’s performance  of roadkill at Enwave Theatre.
It’s not everyday a [...]]]></description>
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		</item>
		<item>
		<title>Review: Displacement</title>
		<link>http://mondomagazine.net/2009/review-displacement/</link>
		<comments>http://mondomagazine.net/2009/review-displacement/#comments</comments>
		<pubDate>Thu, 26 Nov 2009 04:07:03 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Gabrielle Charron-Merritt]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Christos Hatzis]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Fleck Dance Theatre]]></category>
		<category><![CDATA[Harbourfront Centre]]></category>
		<category><![CDATA[Penderecki String Quartet]]></category>
		<category><![CDATA[Robert Glumbek]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Vessna Perunovich]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=8140</guid>
		<description><![CDATA[ 
DISPLACEMENT
Choreographed by Robert Glumbek
Visual Artist Vessna Perunovich
Composed by Christos Hatzis
November 18-21 @ Fleck Dance Theatre
By Gabrielle Charron-Merritt
The idea of displacement is easy to grasp, but it is hard to imagine such experiences, because it forces us to (re)live moments filled with uncertainty, helplessness, and prolonged pain. Watching Displacement was a sensitive experience; the small [...]]]></description>
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		</item>
		<item>
		<title>Review: ¡Lorca! In Search of Duende</title>
		<link>http://mondomagazine.net/2009/review-%c2%a1lorca-in-search-of-duende/</link>
		<comments>http://mondomagazine.net/2009/review-%c2%a1lorca-in-search-of-duende/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 01:00:07 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Helen Fylactou]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Angela del Sol]]></category>
		<category><![CDATA[¡Lorca! In Search of Duende]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Esmeralda Enrique]]></category>
		<category><![CDATA[Fleck Dance Theatre]]></category>
		<category><![CDATA[Harbourfront Centre]]></category>
		<category><![CDATA[Ilse Gudino]]></category>
		<category><![CDATA[Juan Ogalla]]></category>
		<category><![CDATA[Lorca]]></category>
		<category><![CDATA[NextSteps]]></category>
		<category><![CDATA[Paloma Cortés]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=8041</guid>
		<description><![CDATA[ 
 ¡Lorca! In Search of Duende
Choreographed by Esmeralda Enrique and Juan Ogalla 
Part of Harbourfront Centre&#8217;s NextSteps 2009-10 
Ran November 12-15th @ Fleck Dance Theatre 
By Helen Fylactou
Last week saw the second of two recent Lorca-inspired performances in Toronto (see Daina Valiulis’ review of Des Walsh’s Rocking the Cradle). This dance event, however, fused [...]]]></description>
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		</item>
		<item>
		<title>Review: Noam Gagnon&#8217;s The Vision Impure</title>
		<link>http://mondomagazine.net/2009/review-noam-gagnons-the-vision-impure/</link>
		<comments>http://mondomagazine.net/2009/review-noam-gagnons-the-vision-impure/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 21:45:33 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Tina Chu]]></category>
		<category><![CDATA[Aram Cohen]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Daniel Léveillé]]></category>
		<category><![CDATA[Enwave Theatre]]></category>
		<category><![CDATA[Harbourfront Centre]]></category>
		<category><![CDATA[Jaimie Griffiths]]></category>
		<category><![CDATA[NextSteps]]></category>
		<category><![CDATA[Nigel Charnock]]></category>
		<category><![CDATA[Noam Gagnon]]></category>
		<category><![CDATA[Outkast]]></category>
		<category><![CDATA[The Vision Impure]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=7994</guid>
		<description><![CDATA[DanceWorks presents
The Vision Impure
Choreography by Noam Gagnon, Nigel Charnock, Daniel Léveillé
Part of Harbourfront Centre&#8217;s NextSteps Series
November 6 &#38; 7 @ Enwave Theatre
By Tina Chu
I’ve been stacking anticipation onto the empty stage for the past half hour and as the lights dim, I’m overcome by the stillness hushing the audience, a stillness that produces what I’ve [...]]]></description>
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		</item>
		<item>
		<title>Toronto Fringe 2009: Dancing in My Unbirthday Suit Reviewed</title>
		<link>http://mondomagazine.net/2009/toronto-fringe-2009-dancing-in-my-unbirthday-suit-reviewed/</link>
		<comments>http://mondomagazine.net/2009/toronto-fringe-2009-dancing-in-my-unbirthday-suit-reviewed/#comments</comments>
		<pubDate>Fri, 10 Jul 2009 15:04:47 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Daina Valiulis]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Allison Elizabeth Burns]]></category>
		<category><![CDATA[cake]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Dancing in My Unbirthday Suit]]></category>
		<category><![CDATA[Inertia Productions]]></category>
		<category><![CDATA[Joannie Pharand]]></category>
		<category><![CDATA[Montreal]]></category>
		<category><![CDATA[Toronto Fringe 2009]]></category>
		<category><![CDATA[Vanessa Kneale]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=6319</guid>
		<description><![CDATA[Dancing In My Unbirthday Suit
Presented by Inertia Productions
Robert Gill Theatre
Tue July 7 @ 10:30pm
Wed July 8 @ 4:00pm
Thu July 9 @ 7:00pm
Sun July 12 @ 3:30pm
Tickets are $10 at the door.
Reviewed by Daina Valiulis
Dancing is a cute, wacky little dance piece brought to you by Montreal&#8217;s Inertia Productions, and featuring Allison Elizabeth Burns, Vanessa Kneale, [...]]]></description>
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		</item>
		<item>
		<title>6th Biennial Reviewed: Bailie/Burpee Opens d:mic/fac</title>
		<link>http://mondomagazine.net/2009/6th-biennial-of-dance-reviewed-bailieburpee-opens-dmicfac/</link>
		<comments>http://mondomagazine.net/2009/6th-biennial-of-dance-reviewed-bailieburpee-opens-dmicfac/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 05:00:31 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Helen Fylactou]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[A Mass Becomes You]]></category>
		<category><![CDATA[Aphexx Twinn]]></category>
		<category><![CDATA[Ömer Yükseker]]></category>
		<category><![CDATA[Betty Oliphant Theatre]]></category>
		<category><![CDATA[Cindy Sherman]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[In Tune: made in canada/fait au canada]]></category>
		<category><![CDATA[Jared Powell]]></category>
		<category><![CDATA[Jolene Bailie]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Princess Productions]]></category>
		<category><![CDATA[Susie Burpee]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[Untitled 122]]></category>
		<category><![CDATA[Winnipeg]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=4650</guid>
		<description><![CDATA[<strong><span style="color: #000000;">princess productions presents</span></strong>
<strong><span style="color: #000000;"><em>6th Biennial of dance: made in canada/fait au canada (</em></span></strong><strong><span style="color: #000000;"><em>Opening Night: In Tune: made in canada/fait au canada)</em></span></strong>
<strong><span style="color: #000000;">Featuring new choreographies by Susie Burpee (Toronto) and Jolene Bailie (Winnipeg)</span></strong>
<strong><span style="color: #000000;">Photography Exhibition by Ömer Yükseker</span></strong>
<em><strong><span style="color: #000000;">Ran April, 2 - 4, 2009 @ at Betty Oliphant Theatre</span></strong></em>

By Helen Fylactou

Winnipeg's Jolene Bailie opened the night with her signature piece <em>Switchback</em>. The captivating solo features Bailie as an isolated creature navigating her way around the stage. The piece begins with the spotlight focusing on a Roman helmet hanging in mid-air. Quicker than your eyes can adjust, the lights are off again, and on again, and the audience sees Bailie for the first time. She is holding herself up in a push-up position. Her head twitches back and forth in some sort of animalistic ritual, perfectly timed to a drumming score by Jared Powell and Aphexx Twinn. To further evoke animalistic emotions, Bailie's costume resembles a bird, a horse, a reptile, and a Roman warrior. An exquisite feat to watch, Bailie's pure athleticism is experienced through watching her perfect balance, elevation, and contortionist [...]]]></description>
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		</item>
		<item>
		<title>Frames of Reference: Zata Omm in Review</title>
		<link>http://mondomagazine.net/2009/frames-of-reference-zata-omm-in-review/</link>
		<comments>http://mondomagazine.net/2009/frames-of-reference-zata-omm-in-review/#comments</comments>
		<pubDate>Tue, 24 Mar 2009 05:00:03 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Margarita Osipian]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Andre Rocca]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Elysha Poirier]]></category>
		<category><![CDATA[Enwave Theatre]]></category>
		<category><![CDATA[Frames]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[William Yong]]></category>
		<category><![CDATA[Zata Omm Dance Projects]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=4498</guid>
		<description><![CDATA[<strong><a href="http://mondomagazine.net/wp-content/uploads/2009/03/williamyong_bykenewen_forframespress3.jpg"><img class="alignleft size-medium wp-image-4501" title="williamyong_bykenewen_forframespress3" src="http://mondomagazine.net/wp-content/uploads/2009/03/williamyong_bykenewen_forframespress3-320x400.jpg" alt="williamyong_bykenewen_forframespress3" width="320" height="400" /></a>Zata Omm Dance Projects presents <em>Frames</em></strong>
<strong>Presented by DanceWorks</strong>
<strong>Choreographed by William Yong</strong>
<strong>Original sound score by Andre Rocca and video by Elysha Poirier</strong>
<strong><em>Runs March 19-21 @ Enwave Theatre</em></strong><strong><em></em></strong>

By Margarita Osipian

Five dancers silhouetted against a blank backdrop, a thin white line projected through their bodies, cutting the central dancer down the middle. The line slowly grows as it envelops all five dancers on stage. Heavy breathing fills the theatre and brings a vivid physicality to the dancer's moving bodies.

William Yong's <em>Frames</em> created an understanding of movement centred on the body, on the visceral quality of performance. Video projections by Elysha Poirier shifted the piece outside of the space of traditional dance performances, at one point, the dancers stood against the back wall of the stage and a sound wave ran over their bodies while the voices of the media projected through [...]]]></description>
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		<item>
		<title>Duality, Superheroes, and Diplomatic Relations: White Moon Dance Nights Reviewed</title>
		<link>http://mondomagazine.net/2009/duality-superheroes-and-diplomatic-relations-white-moon-dance-nights-reviewed/</link>
		<comments>http://mondomagazine.net/2009/duality-superheroes-and-diplomatic-relations-white-moon-dance-nights-reviewed/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 05:00:13 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Helen Fylactou]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[AKA Dance]]></category>
		<category><![CDATA[butoh]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Denise Fujiwara]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[Keiko Ninomiya]]></category>
		<category><![CDATA[Matjash Mrozewski]]></category>
		<category><![CDATA[Toronto]]></category>
		<category><![CDATA[White Moon Dance Nights]]></category>
		<category><![CDATA[Young Centre for the Performing Arts]]></category>
		<category><![CDATA[ZUKE]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=4318</guid>
		<description><![CDATA[White Moon Dance Nights
Presented by AKA Dance
February 25-28 @ Young Centre for the Performing Arts
By Helen Fylactou
Celebrating the 80th anniversary of the inauguration of diplomatic relations between Canada and Japan, AKA Dance&#8217;s White Moon Dance Nights features new works from Denise Fujiwara, Matjash Mrozewski, and Keiko Ninomiya, as well as ZUKE&#8217;s Dora-nominated You see the [...]]]></description>
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		<title>Writing with the Body: COBA&#8217;s Banta</title>
		<link>http://mondomagazine.net/2009/writing-with-the-body-cobas-banta/</link>
		<comments>http://mondomagazine.net/2009/writing-with-the-body-cobas-banta/#comments</comments>
		<pubDate>Fri, 27 Feb 2009 05:00:18 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance Review]]></category>
		<category><![CDATA[Margarita Osipian]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[BaKari E. Lindsay]]></category>
		<category><![CDATA[Banta]]></category>
		<category><![CDATA[Charmaine Headley]]></category>
		<category><![CDATA[COBA]]></category>
		<category><![CDATA[Collective of Black Artists]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Doun Doun Dance]]></category>
		<category><![CDATA[Inner Voice]]></category>
		<category><![CDATA[Maa Keeba]]></category>
		<category><![CDATA[Miriam Makeba]]></category>
		<category><![CDATA[Passage]]></category>
		<category><![CDATA[Sis Robin Hibbert]]></category>

		<guid isPermaLink="false">http://mondomagazine.net/?p=4290</guid>
		<description><![CDATA[<strong><span style="color: #000000;"> <span class="nfakPe">COBA</span> presents <em>Banta</em></span></strong><strong>
World premieres of <em>Passage</em>, <em>Maa Keeba,</em> and <em>Inner Voice</em>, plus a remount of <em>Doun Doun Dance</em>
</strong> <span style="color: #000000;"><em><strong>February 20-22 @ Fleck Dance Theatre</strong>
</em></span>

By Margarita Osipian

I'm endlessly fascinated by contemporary dance's beautiful manifestations. I grew up going to classical dance performances, mainly ballets, and the theatre. So I jumped at the chance to attend <em>Banta</em>, a presentation of the Collective of Black Artists (COBA). Rooted in the legacy and storytelling of African history, COBA's creations address social themes through a unique aesthetic lens. The latest, <em>Banta</em>, was actually a series of four performances broken up with a short break between each piece. I tried not to read the performance descriptions in the show's catalogue because I wanted to see if I could pull the narrative from the dancers on the stage. There's something humbling, especially for a writer, to witness a story without words. <em>Banta</em>'s performances successfully addressed the idea of narrative and momentum through time, using music, rhythm, and bodies. But should a marker of success be based upon whether the story that I interpreted from the dancers was the same as the story that they were attempting to tell? In the end, it's not relevant — because the mark of a good storyteller is the enjoyment inherent in the process of telling and listening. [...]]]></description>
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