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Archive for October, 2011

Review: ProArteDanza’s Season 2011

Posted by art On October - 6 - 2011

Marissa Parzei and Tyler Gledhill perform in ProArteDanza's Season 2011 piece entitled En Parallèle. Choreographer: Roberto Campanella

ProArteDanza presents
SEASON 2011
Choreography by Roberto Campanella, Guillaume Côté, Robert Glumbek and Kevin O’Day
Performed by Johanna Bergfeldt, Valerie Calam, Marc Cardarelli, Tyler Gledhill, Louis Laberge-Côté, Ryan Lee, Marissa Parzei, Brendan Wyatt, and Mami Hata
Runs until October 8 @ Fleck Dance Theatre

By Tina Chu

When seeing a highly esteemed company such as ProArteDanza for the first time, there is always the question of whether one’s excessive buildup of expectations could outweigh and upset the experience of the performance.

And though anticipating nothing but the best from ProArteDanza, its Season 2011 still exceeded my expectations, with strong choreography from Robert Glumbek, Roberto Campanella, Kevin O’Day, Guillaume Côté and memorable performances from the company’s dancers.

The program begins with Glumbek’s Verwoben, a piece named in German, meaning interwoven. Initially, the title appears to refer to the dancers as they entangle and disentangle themselves from one another, but as the performance takes form, it becomes palpable how the title also lends itself to the idea of intertwining music and movement. Read the rest of this entry »

Review: A Fool’s Life

Posted by art On October - 6 - 2011

Haruna Kondo in A Fool's Life. Credit: Katherine Fleitas

A Fool’s Life
Written and directed by Dan Watson
Featuring Claire Calnan, Julian DeZotti, Haruna Kondo, Derek Kwan, and Richard Lee
Live percussion by Gaishi Ishizaka
Runs until October 8, 2011 @ The Theatre Centre

By Kerry Freek

Are you ready to be enchanted?

Inspired by the life and short stories of Japanese writer Akutagawa Ryunosuke, Ahuri Theatre’s A Fool’s Life is thoroughly delightful, balancing the right mix of magic, absurdity, and darkness with an impressive focus on movement.

Three stories, “The Nose,” “Horse Legs,” and “Hell Screen,” receive the Ahuri treatment. While Ryunosuke died in 1927, director Dan Watson crafts a modern spins when needed without losing Ryunosuke’s original magic. His well chosen cast is talented, funny, and energetic: Claire Calnan is delightfully expressive in the first vignette, playing a monk with an exceptional nose. In the second story, Derek Kwan grows horse legs with ease, galloping about the stage. Japan-based actor Haruna Kondo stands out: she’s particularly wonderful as a crazed, crippled old artist in the final story, writhing in agony and ecstasy as her character struggles to complete his ultimate work—a screen depicting Buddhist hell. Together, the cast performs its choreography with ease and humour, tumbling from one scene to the next. Read the rest of this entry »

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